
WONDERLAND STEREO
Photographs, drawings, writings, sounds-collage, neon
2009-2015
For seven years, my photographs taken in Los Angeles or in the desert are created through collages to become the covers of imaginary record albums. I invent the titles, lyrics and original soundtracks to films that don’t exist. I tell the stories of fictional musicians and characters. The vinyls do not exist. I draw them, using a pen, watercolor, and oil for the black to shine. The radio, the seagulls and the waves, the helicopters, or the howling of coyotes that I recorded during seven years, are formed in a soundtrack, a “Sound-Collage” of 37 minutes and 24 seconds.





WONDERLAND STEREO
Photographs, drawings, writings, sounds-collage, neon
2009-2015
For seven years, my photographs taken in Los Angeles or in the desert are created through collages to become the covers of imaginary record albums. I invent the titles, lyrics and original soundtracks to films that don’t exist. I tell the stories of fictional musicians and characters. The vinyls do not exist. I draw them, using a pen, watercolor, and oil for the black to shine. The radio, the seagulls and the waves, the helicopters, or the howling of coyotes that I recorded during seven years, are formed in a soundtrack, a “Sound-Collage” of 37 minutes and 24 seconds.


















WONDERLAND STEREO
Photographs, drawings, writings, sounds-collage, neon
2009-2015
For seven years, my photographs taken in Los Angeles or in the desert are created through collages to become the covers of imaginary record albums. I invent the titles, lyrics and original soundtracks to films that don’t exist. I tell the stories of fictional musicians and characters. The vinyls do not exist. I draw them, using a pen, watercolor, and oil for the black to shine. The radio, the seagulls and the waves, the helicopters, or the howling of coyotes that I recorded during seven years, are formed in a soundtrack, a “Sound-Collage” of 37 minutes and 24 seconds.
WONDERLAND STEREO
Photographs, drawings, writings, sounds-collage, neon
2009-2015
For seven years, my photographs taken in Los Angeles or in the desert are created through collages to become the covers of imaginary record albums. I invent the titles, lyrics and original soundtracks to films that don’t exist. I tell the stories of fictional musicians and characters. The vinyls do not exist. I draw them, using a pen, watercolor, and oil for the black to shine. The radio, the seagulls and the waves, the helicopters, or the howling of coyotes that I recorded during seven years, are formed in a soundtrack, a “Sound-Collage” of 37 minutes and 24 seconds.